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(Source: fontbureau.com)

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liveforothers:

Found this little guy at bethanie today.We want to keep him. (Taken with instagram)

BIG love for Badger!

liveforothers:

Found this little guy at bethanie today.We want to keep him. (Taken with instagram)

BIG love for Badger!

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woo

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From the children of the Born into Brothels documentary.

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tonyluong:


I am excited to announce a small publication I have produced. In my mind, it is what halfway between a zine and a book would look like. I’ve deemed it to be a zook. 
Two Roofs by Tony Luong

tonyluong:

I am excited to announce a small publication I have produced. In my mind, it is what halfway between a zine and a book would look like. I’ve deemed it to be a zook

Two Roofs by Tony Luong

(via joncherry)

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Tribeca Film With Dax Shepard

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“These songs are for nighttime driving, for long exposures of stars circling overhead, for laying roadside, feeling small, for the cold rocks at Big Falls, for Marfa, that weird and beautiful oasis. These songs are about the ambient sides of life.”
HOYAS | 05.08.12

“These songs are for nighttime driving, for long exposures of stars circling overhead, for laying roadside, feeling small, for the cold rocks at Big Falls, for Marfa, that weird and beautiful oasis. These songs are about the ambient sides of life.”

HOYAS | 05.08.12

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Hold On Me.  Best Short Film at London Independent Film Festival.

Hold On Me.  Best Short Film at London Independent Film Festival.

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Check out Cohen’s organisation Music & Memory, dedicated to improving the quality of life for the elderly through music.

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Splitscreen: A Love Story.  By James W Griffiths.

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KNÄPPA

New cardboard digital camera from Ikea - ‘design belongs in homes.’

(Source: freshnessmag.com)

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Invitation to a Journey

As you know I came

by discontent to a wall:

a door materialized

and I went through it

into larger space

where led another door:

so without intention

I left my country

and arrived elsewhere.

In the human stumbling

who easily discerns

call of Providence?

Yet, exhilaration

of unimagined wings,

sense of youth recovered,

cannot entirely deceive.

There is no moment

of advance without loss -

wound of sacrifice.

The shed skin by the road

precious with memory

holds me anguishedly.

Laden with the ache

of its abandonment

I turn, and hurry

on towards myself.

- Joseph Marinus

Link

theatomy:

An interview with VINCENT MOON

THE ATOMY: To begin, what first brought you into the world of film? Was there a specific moment, event, or catalyst that made you stop and say, “I want to make films” or did it just… happen?

VINCENT MOON: I believe in accidents, and I ended up making films at some point in my life without really noticing, I guess. I dont come at all from such a (film) background, so it’s surprising. I was getting really fond of photography and spent the first years of my 20’s researching that, trying to develop my own style, and so on. I was kinda lost until one night I saw some films by Peter Tscherkassky, the Austrian experimental filmmaker. I was blown away to such an extent, that his films sort of like were telling me “here’s an answer to your still images” - and truly, his films were very much like my photos, only moving. That night I came back home and bought all of his films, and decided to ‘try something’ with a video camera… I don’t know what happened from then until now…

(Source: theatomy)